Thursday, March 13, 2008
Forging An All-India Identity With A Global Mindset by Randeep Wadehra
Wednesday, March 5, 2008
Dyed in Caste by Randeep Wadehra and Amar Nath Wadehra
Tuesday, March 4, 2008
High on Cinderella syndrome

We need classy shows by Randeep Wadehra
THE TRIBUNE Punjabi antenna



Bhasa, Nehru and the Diaspora
The shattered thigh and other plays by Bhasa (translation: A.N.D. Haksar)
Penguin. Pages: xxx+127. Price: Rs. 200/-
Bhasa would have remained an enigma of Sanskrit literature had not Trivandrum’s MTG Sastri discovered some of his works in 1909. Although eulogistically mentioned in the works of Kalidasa, Bana Bhatta, Jayadeva et al, and named in the same breath as Kaviputra, Saumillaka and other great classical Sanskrit litterateurs, only thirteen of his plays survive today. These are based on Harivamsa and the two epics. In this riveting read Haksar has included six of these plays. All are based on the Mahabharata and appear in a sequence beginning with the Pandavas’ exile and ending with Duryodhana’s death wherein Bhasa draws alternate scenarios. For example, in Five Nights (Panchratram) Duryodhana is shown as a man who keeps Abhimanyu with him when Pandavas are exiled, and honours a promise given to Drona and Bhishma by restoring to the Pandavas their kingdom. The Middle One (Madhyama Vyayoga) also creates a situation that is not found in Mahabharata. Here, Bhima fights with Ghatotkacha in order to save a priest family. Both father and son are unaware of each other’s identity – a theme that predates the Rustam-Sohrab saga by several centuries. While reading this fascinating volume one wonders at the sophistication of our ancient literature. Each play is capable of being enacted onstage in its original or adapted version.
Use of metaphors by Jawaharlal Nehru by Rakesh Gupta
Shubhi Publications, Gurgaon. Pages: xvii+229. Price: Rs. 495/-
Scholarly interest in Nehru abides to this day. Gupta’s tome is another evidence of this. Not only has he taken a look at Nehru’s evolution as a politician but also enumerates, albeit briefly, the various events and personalities that helped in shaping his persona. Interestingly, he employs unusual tools to understand India’s first prime minister, viz., interpreting the metaphors Nehru used in his writings, e.g., “the flood of aggression” (the 1962 war), “the thick wall of group hatred” (the situation in Kerala at that time) and many others that were original, evocative and rich in imagery. Gupta has also examined The Glimpses of World History and other writings to unravel the Nehru that was – a visionary, a cosmopolitan, and a nationalist with propensity for didacticism.
Diasporic studies edited by Gurupdesh Singh
GNDU, Amritsar. Pages: x+312. Price: Rs. 225/-.
Although Indians have been migrating – of their own accord or under duress – to various parts of the world for ages it is only now that some interest in them is being evinced. True, quite a lot of literature by Indians living abroad has been written wherein such themes as loss of identity, cultural conflict and assimilation, longing for and romanticizing of the homeland etc have found prominence, but our political as well as intellectual establishments have been indifferent to the Diaspora for long. Lately, however, some amends have been made. This erudite volume is one such step, the scope of which is stated to be limited to Punjabi emigrants but Bengali and other non-Punjabi segments of the Diaspora too come under the scholarly scanner. Along with the works of Naipaul, Rushdie, Rohinton Mistry and Shahid Ali, and the cinematographer Ritwik Ghatak, prominent space has been given to Sadhu Singh Dhami’s novel Maluka and Iqbal Ramoowalia’s The Death of A Passport in the discourse. The attempt in this volume is to focus on the process of the resolution of identity crises in alien climes, and the need for the original racial-cultural-religious identities of immigrants to come to terms with the acquired new national-cultural identity in the host country.
THE TRIBUNE SHORT TAKES
Monday, March 3, 2008
A web of all things nice by Nuggehalli Pankaja

This collection of poems is rich with the vicissitudes of life...
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Silken Web’! What an entrancing title, so apt for the array of poems sprouting effortlessly from the creative landscape of the featured poets’ hearts.
The poems speak in accordance with the emotion generated by some special experience, and sensitive angles unfold— queries unasked before, empathy unfelt hitherto, surface and hover. This collection of poetry proves right the observation made by Leigh Hunt, eminent critic of the Nineteenth Century, “Poetry includes whatsoever of painting can be made visible to the mind’s eye, and whatsoever of music can be conveyed by sound and proportion without singing or instrumentation.”
The mother-daughter relationship is taken up in a different form in the poem, ‘Lying in wait’ by the established poet, Sivakami Velliangiri, which voices the hard reality in every mother’s lives as the daughter grows apart, chalking out her own life. The pathos of old age and a listless frame of mind is also effectively portrayed in her other poem ‘Sway’.
‘Lasting memory of me’ by Ambika Ananth is profoundly moving with its easy flow and content— ‘I see her walk away/ Into her new world./ I know one thing for sure,/ She has a womb of great promise./ She will bear a daughter,/An extension of herself,/ Who will make/ A lasting memory of me...’ No parent can read this last stanza and remain untouched. Male poets are not far behind in bringing into focus reflective thoughts and emotional resonance. Randeep Wadehra’s— ‘Rama’s woman, and mine’— is one such poem with a fine, impacting closure. ‘Perhaps I pay the price/For your excesses/When my woman /Looks me in the eye/And says/She will go to another man/Coz I say ‘Yes dad’/Too often’ Rohan Korde’s ‘Death’, Avinash Subramaniam’s ‘Out of my life, inside my head’ and the humour-tinged ‘Ideal husband’, Rumjhum’s ‘Memory’, ‘Shore’ of Vikram Deish, etc, all display depth of feeling. ‘Childhood’ by Santosh Vijaykumar brings into focus the vulnerability of childhood and the poignancy of experience etched in the last sentence— “Did your grandfather snatch your childhood away from you?” Speaking of childhood, the vacuum caused in the lives of children by the sudden disappearance of that important figure— father— and the bewilderment which follows is depicted effectively in the last stanza of the poem, ‘What Father left us’ by K Srilata— ‘Father left us a couple of unpaid debts/And this vacuum in my children’s lives,/Marked ‘Maternal grandfather’. But an entirely different view is presented in ‘Leaving’ by Manu Bharati! The emotional conflicts of one setting out in quest of his life, and the guilt-feeling at leaving perforce the old-dependant parents behind, is brought out well. Completing the circle of sensitive familial-relationships. Another current topic— ‘Mass wedding’ is dealt with finesse in ‘Monsoon Wedding’ by Chandini Santosh— ‘All grooms look alike/White on White/And nervous/Like caged cats/A hurried exchange of garlands /Fast!’ And these four lines— ‘My hour old groom /husband/Call him what you will/Stranger yesterday/Future today’ The poems of Christine Krishnasami are intricately woven with myriads of elusive thoughts and sensitive snatches. Her poem ‘Cranes alighting’ with its central figure of ‘mama’ makes an impact, while ‘Retirement Home’ succeeds in imparting nostalgic waves. Payal Talreja’s poem ‘Rush’ brings out another angle of a mother— the loneliness as the boy dependant on her once upon a time grows up and grows away from her, caught in the rat-race of survival. Adultery, one of the social problems, is also dealt with subtly in ‘Perfidy’, of Nirmala Pillai, the last para inducing deep contemplation. Many other noteworthy poems are also there; To put it in a nutshell, this collection is rich with the vicissitudes of life bringing to mind Bacon’s viewpoint— ‘Same feet of nature treading in different paths’.
THE SILKEN WEB
A collection of poetry, Edited by Karuna Sivasailam Published by Unisun Publications Pages-168, special Indian price-Rs 125/only. |
Unfair and unlovely By Randeep Wadehra
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