TV REVIEW
Channel surfer
By
Randeep
Wadehra
The hoary Roman axiom “nothing
has been said yet that has not been said before” holds true for all
contemporary creative activities including TV entertainment. Yet, when you find
the same idea doing rounds – not just of different channels but also of
different serials on the same channel – it becomes clear that the scriptwriters
are mechanically doing the ‘dog chasing its tail’ routine. For example, there
is agni pareeksha for the “angrez” bahu in Sanskar…Dharohar
Apno Ki. Her saas wants her to make do with Rs. 300/- (later upped
to 500 bucks, after her son’s intervention) for meeting one day’s domestic
expenses – a cinch, you would say. But you had not reckoned with another woman
who had already chalked up a plan to thwart the bahu… Yawn! We have already
watched such woman versus woman versus woman plots a zillion times. Clichés and
stereotypes populate the TV fiction narratives like flies on a garbage dump.
Mallika Sherawat’s forthcoming Mere
Khayalon Ki Mallika (Life OK) is an adaptation of an American TV reality
show, The Bachelorette. Here, different men will try their luck
at winning Mallika’s favors. Haven’t Rakhi Sawant and Ratan Rajput already trodden
this path before? But this is not the only copycat show. You have Emotional
Atyachaar on one channel and Aamna Saamna on the other, Crime
Patrol has clearly inspired Savdhan India and Shaitan. If
audiences can put up with Bigg Boss – an “Indian edition” of the
British Channel Five’s Big Brother – and watch TLC shows with
patently unimaginative and silly sounding Hindi voiceovers, well they can put
up with anything.
Ever since its inception in
India, various critics have vilified Doordarshan for serving poor quality fare
to its audiences. Therefore, when private TV channels made their debut in 1991,
it was widely believed that we would be getting some “quality” entertainment at
last. In fact, Zee TV’s Tara was held out as the precursor to Indian
entertainment television’s transformation. Transformed, it is. There are hundreds
of entertainment channels, but it is a rare one that offers anything original
or out of the box.
I have been watching Doordarshan
almost from its beginning since my days at Palam way back in mid-1960s. Over
the years, its evolution had resulted in some memorable TV shows and serials.
The then avant-garde Aur Bhi Hain Rahein starring Tanuja and Vijay
Kashyap had created quite a flutter when it was first telecast on Doordarshan,
which had, in fact given us memorable soaps, teledramas and telefilms with original
storylines and distinct characters. Serials like Buniyaad and Hum Log
became household names – something that a private channel production has yet to
match. Zee TV’s Tara comes closest to it, but that’s just about it.
Doordarshan gave historicals like Bharat Ek Khoj, Bahadur Shah Zafar, Mirza
Ghalib etc, mythological blockbusters like Ramayan and Mahabharat,
classic comedies like Idhar Udhar, Ados Pados, Mungeri Lal Ke Haseen Sapne,
Wagle Ki Duniya etc, and Kakkaji Kahin – the classic satire
that became a template for later me-too wannabes. Other memorable dramas
include Fauji and Circus that catapulted Shahrukh Khan to
Bollywood stardom. Some detective serials like Karamchand and Byomkesh
Bakshi are still fondly remembered. There were so many literature-based
productions like Katha Sagar, Tamas, Tenali Raman, The Sword of Tipu Sultan,
Malgudi Days and Tehreer etc. And now?
The less said the better about
both Doordarshan as well as private channels. Of course, some good ideas do
crop up. Like the memorable family comedy Sarabhai Versus Sarabhai and
the satire Office Office, which are TV versions of classic blockbusters.
However, these are exceptions really. Moreover, potentially good dramas like Geet…Sabse
Huyee Parayee, Hitler Didi, Bade Achhe Lagte Hain, Madhubala…Ek Ishq Ek Junoon etc
have had great initial impacts but eventually fell into the TRP chasing rut.
Similarly, shows like KBC owe their immense popularity to just one
suspense element – who will hit the multi-crore jackpot. Just take away the prize-money
factor from this reality show, and even schoolchildren will find its content
puerile – Bachchan or no Bachchan. True, Sony has a thriller in CID and
a courtroom drama in Adalat, but they have had their forerunners in
Doordarshan’s Tehkikat, Barrister Vinod, Apradhi Kaun, Reporter, Suraag
etc.
Although one looks with hope at
some of the current ones, like Saraswatichandra on Star Plus and
Doordarshan, and Savitri on Life OK, plus a few thrillers like Shapath
and 2013 – again on Life OK, clearly private entertainment channels will
really have to work hard to come up with something credible to match the
Doordarshan classics of yore.
Published in The FinancialWorld dated May 6, 2013
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