TV REVIEW
Channel surfer
By
Randeep
Wadehra
Television is a wonderful medium
for not just infotainment, but also as an arena for struggles between the good
and the evil in the traditional sense as well as in its more contemporary
ethics versus compromise paradigm. Devon Ke Dev Mahadev on Life OK
depicts Lord Shiva’s battle of attrition with His archrival Jalandhar. Such
engrossing good versus evil combats are fine entertainers, especially because
of their mythological character. But what does one say when historical
characters are mythologized? Indeed, Maharana Pratap was a great warrior and
had been steadfast in his opposition to the Mughal Emperor, Akbar. But, in Sony
TV’s Bharat Ka Veer Putra Maharana Pratap, he has been bestowed
with attributes that resemble Lord Ram’s, viz., unquestioning obedience towards
his father, his yearning for taking on Afghans (a throwback to Ram’s campaign
against asuras) and his keeping a spare sword that he may offer his disarmed
enemy because the Maharana was loath to attack an unarmed enemy. Actually,
Indian entertainment TV has been guilty of similar makeovers in case of other
historical characters too, like Shivaji (Colors), Tipu Sultan (Doordarshan) and
Rani Laxmi Bai (Zee TV). This becomes problematic because the narratives are in
stark contrast to what history textbooks say. Is there really a need for
blurring the lines between mythology and history?
However, in the more
contemporary serialized TV fiction, gray areas in individual characters are too
salient to be either ignored or placed in a specific slot. However, the black
and white portrayal of characters has not gone out of fashion yet. Antara, in
Life OK's Do Dil Ek Jaan, has been brought up on a diet of unadulterated
sense of the right and the wrong, courtesy her father. She had witnessed him
lay down his life for his principles in Srinagar. The tragedy turned her mother
into a nervous wreck. On the insistence of her maternal uncle, she and her
family migrate to the supposedly safe Mumbai, only to realize that she is
caught up in an equally, if not more, dangerous situation. If there are
terrorists in Kashmir, then in Mumbai local goons prey on vulnerable outsiders.
One such gangster is Daya Naik and his henchman Raghu. People in the locality
live in fear of them. However, circumstances and her inherent values impel Antara
to confront the thugs, even as Raghu’s better or softer side shows hints of
manifesting itself. It will be interesting to watch how the narrative develops
in the coming weeks.
But, the RK versus Sultan
conflict, in Madhubala (Colors), is not about principles. Both of them
have the good and the evil within them; they are ordinary mortals with
extraordinary egos and traits that result in intriguing profiles. RK, a successful
Bollywood star, is besieged with so many insecurities that he dons arrogance as
his shield, to the extent of becoming cruel towards those who love him. Sultan,
a gangster, struggles with vagaries of life where distrust becomes his weapon
and armor. Their confrontation is about inheritance and identity, which has its
genesis in their father's marital perfidy. This struggle is going to keep
viewers engrossed for a few weeks until the soap's scriptwriters can think of a
new twist to the plot.
Confrontations of the political
kind too were on view, courtesy our news TV channels. The first one was over
the death toll in Uttarakhand. Depending upon who was enumerating, the toll
ranged from 77 to 15,000. Even as the blame game between BJP and Congress looked
suspiciously like a friendly sparring, Arnab Goswami on Times Now rightly
asserted that for the first time the two major parties had joined hands to
fight the media’s onslaught.
There was other kind of politics
too. Like Nitish Kumar’s real motive behind breaking up with the BJP. However,
for a change Times Now came up with a low decibel, in-depth and incisive
interview, with Goswami asking the right questions and Nitish Kumar, despite
his best efforts, failing to camouflage his prime ministerial ambitions. Great
job.
Published in The Financial World dated 24
June 2013
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